[Author's note: revisited in 2020 and added a few footnotes]
300 up
This is Off-Black post number 300. Cool.
Project 32
Inspired by a conversation with Richard and Andrew at Janet's last week.
To mark the 300th post of this erstwhile blog, and coincident with my 32nd birthday, I decided to survey my CD collection, pulling out every 32nd title, see what I got and discuss. While this could be potentially embarrassing in a blog context, I was intrigued by what I would find.
Firstly, a few notes about how my CD collection is organised.
It is ordered. It would be almost unmanageable otherwise. The order is thus:
Shihad (chronological), New Zealand artists (alphabetised, individual artists chronological), rest of the world artists (alphabetised, artist chronological), soundtracks (alphabetised), miscellaneous compilations in no particular order.
Homemade compilations were excluded from the survey, as were any of Fi's discs. I didn't include any of the miscellaneous comps either.
Heres what was pulled out:
Right then. Onto the 'Discuss' part then. Rather than start at #32, I started at #1 for a sense of completeness.Shihad-Beautiful Machine (2008)
At number one due to the way I arrange my CD collection is Shihads latest release. I like it a lot, even if it took me a few listens to get into. The mark of a good band I feel is that no two releases sound the same, and Shihad have certainly achieved that. With each album they have evolved their sound, and that can only be good. Once artists start releasing the same album again and again they get stale. It's not my favourite Shihad album (a title that swings back and forth between Love is the new hate and The General Electric), but it still a good piece of work. Favourite tracks? Hard to please and Bible and the Gun. It is already forming memory associations, notably being the CD I had on when I arrived for the Millionaire audition three weeks ago.
[2020 note: I passed the quiz part, but the video audition was introvert hell, and I didn't make the show.]
Age Pryor-Shank's Pony (2007)
Bought on the back of two standout tracks I don't want, and Summer, if I'm honest I'd have to say this isn't one of my favourite albums. The above two tracks are brilliant, but the rest feels a little bit too hip, too busy, too earnest, too ambitious. The title track drives me mental. Not to say this is a terrible album; it isn't, just not quite my bag. Good for long drives though.
[2020 note: I should probably listen to this again]
Dimmer-I believe you are a star (2001)
Project of ex-Straightjacket Fits frontman Shayne Carter, Dimmer may have existed before this release, but this is the one that got peoples [my] attention. I first noticed it when it was being used as background music between sets at Shihad gigs. I'm not so into the singles that came off it, having heard them a few too many times, but the moodier album tracks like Pendulum, with its soft vocal and eerie guitar, are mint. Another excellent road trip CD.
HLAH-Blood on the Honky Tonk floor, Head like a hole 1991-2000 (2000)
What can I say about the almighty HLAH? I saw them live a few times back in the day, and they were easily one of the most entertaining stage acts I have ever seen. Sometimes described as 'Sludge Rock' their stylings varied from post metal to sampling and grease covers, to amped up country, always with an evident sense of humour. So many good songs. Favourites? 1 pound 2 pound, fish across face, cornbag, a crying shame, I'm on fire. Tragically this is the only HLAH release I own. I miss them heaps.
Shadows on a Flat Land-Various (1998)
From Canterbury in 1998 came this release. If I had to categorise it I'd say it was trip hop, but
I'm not sure where it falls other than 'good'. A guy named Jody Lloyd was behind this, who later went on to achieve success with Dark Tower (Baggy trousers anyone?). This is a much more introspective and moodier piece than the Dark Tower stuff, and was an important part of my soundtrack for the winter of 1998. Nothing is easily the standout single and one of the best expressions of break up angst I have heard
Its great when you're straight yeah!-Black Grape (1995)
I have Channel Z (RIP) to thank for this one. Out of the ashes of Madchester and the Happy Mondays came Black Grape. Channel Z used to play this song called get higher, notable for featuring a remixed Ronald and Nancy Reagan promoting drug use, and their own drugged up experiences. That song isn't actually from this album, it is from the following stupid stupid stupid. But, figuring out the artist, and picking up on the other tracks that the station played, led me to this release. I'm not sure how to describe the sound. Lots of samples, drums, guitars, horns occasionally. Favourite track? Kellys Heroes, with its titular movie sampling, and 'Jesus was Batman' refrain. I've never really gotten into this album in a being able to sing along with it way, but its good to bring out for an occasional listen, and doesn't appear to be aging much yet. Also notable for a certain someone being a complete dick about me not knowing the difference between Happy Mondays and Black Grape, at a time when both were completely new to me.
[2020 note: In the summer of 2018-19 I made a lego version of Da Vinci's The Last Supper. With lego Batman as Jesus]
Chisel-Cold Chisel (1991)
The first of Cold Chisels greatest hits collections, this happens to be the first full length CD I ever acquired. For essentially a lowest common denominator pub band, its incredible what these guys achieved. None of the members, including Jimmy Barnes, have produced anything like as good as the stuff on this disc since the band went south. The third verse of Forever now always reminds me of my first girlfriend, and Saturday night is eternally a reminder of good nights and good times. I don't have a lot of time for Khe Sanh though. Heard it too many times, and the pedant in me points out that no Australian units actually took part in the battle of the title.
Cold Chisel is I think a little tarred by its bogan rock image. The music is better than that, and deserves a bit more recognition. And there are few better f**k you's to the corporate rock industry than You got nothing I want.
More than This-The best of Bryan Ferry and Roxy Music (1995)
Does anyone know where Roxy Music ends and Bryan Ferry begins? Easily dismissed as being MOR staples, that obscures the fact that there is some good music here. There is some pretentious art rock as well, but the good stuff outweighs that. This album has a few examples of songs where I love the verse but hate the chorus as well, so it is one that inevitably incurs a lot of skipping when I listen to it. I have been revisiting this one lately since same old scene was used in ashes to ashes, and reminding myself what I like about it. The big lush sound, and generally echoy and atmospheric production I think. I'm not so much into the earlier stuff, more the 80's material. Favourites? Dance away, Slave to love, Same old scene, More than this. Dance away always reminds me of a trip to Auckland in 1991, hearing it on the eternally bland northern motorway into the city.
Collected Works-Hunters And Collectors (1990)
An early Hunters and Collectors Best of (I'm not sure if they have any others). Has Throw your arms around me and Do you see what I see? on it. Part of a peculiarly Australian genre of 80's alternative guitar rock (not sure if that is literally true, but other similar sounding bands like The Church are Australian), H+C has always been close to me, even if I didn't always realise it. I wish I'd been a bit younger, so I could have been into them in their prime. I like H+C, its does what it says on the tin music. You don't have to spends days figuring out the lyrics, or particular references or samples.
Everything is possible-The best of Living Colour (2003)
Notable for proving that you could play hard rock and not be white, Living Colour never quite lived up to the heights of their 1988 debut Vivid. This band has particular memories for me of the summer of 1988-89, and the transition from one school to another as intermediate became college. I would go hiking in the eastern hills on sunny days, with a radio in my bag. Living Colour was one if the bands I used to hear. That reminds me of the time when 91ZM was more than just a pop station. Favourites? Cult of personality, Nothingness.
Nirvana (best of) (2002)
The only Nirvana I own. Back at the time, I recall a certain divisiveness between Nirvana and Pearl Jam fans. As one of the latter, I couldn't really be one of the former. I'm smarter than that now, but when Nirvana were actually recording I didn't get them at all, didn't have much respect for them or Cobain. I still don't have a lot of respect for Cobain, and get kind of annoyed that the has joined the same league as Jim Morrison and Che Guevara, a T-shirt seller for teenagers who don't know much about the images they are wearing and think they are rebelling against something.
My Nirvana revelation came at Mountain Rock in 1996. Lithium was played on the PA between sets, and suddenly I realised that I liked it, and couldn't realise why I hadn't noticed it before. I'm still not that into Nirvana save for appreciating it for what it is, but some tracks I like, like lithium, in bloom, you know you're right, and come as you are (immortalised for me by a group of drunken students singing it on the Picton Ferry in 1992 "Come as you are, as you were, come anyway!").
[2020 note: I was a bit of a dick about Cobain for a long time, for sometimes stupid reasons. I'm more sympathetic to his struggles nowadays]
Lost Dogs-Pearl Jam (2003)
Appropriately next to Nirvana in this list, Lost Dogs is a collection of B-sides and rarities that never made it onto albums. Interesting in that some of the b-sides are not the same recordings that were actually released. A lot of my favourite Pearl Jam songs are on here, Down, Alone, Footsteps, Wash, Yellow ledbetter. Oddly, crowd favorite Crazy Mary is not. Like Shihad, Pearl Jam have never released the same album twice, and I am still a fan after all this time for that reason.
In the mode-Roni size reprazent (2000)
My first foray into Drum and Bass. Also another channel Z revelation. I couldn't play this album at work when I got it, as the sound reverberating around the room would give me headaches, which is probably a sign of class. Who told you was the single more heard, but Dirty Beats, with its unstoppable video, sold me on the album.
Stop Making Sense-Talking Heads (1983)
Another band I am slightly too young for, and have been forced to rediscover though the back catalogue. It is something of glaring omission that Girlfriend is better didn't make it on to their 1992 best of. This is a live album, more of a soundtrack to a concert movie really [because that's what it is, duh.], but gives a real sense of being there (or at least imagining what it was like to be at a Talking Heads concert in LA in 1983). I remember listening to my sisters copy of this sometime in the early nineties and not quite getting it. Favourites? Girlfriend is better, This must be the place, Once in a lifetime. Psycho Killer is also on here, memorably opening the album, but I won't hold that against it. Don't like Psycho Killer much.
U2-18 (2006)
Another hits collection, this time of 18 U2 singles. While the latter stuff can be patchy, the earlier material is still gold. Unfortunately, these are single mixes, with all that implies. Seriously, does anyone care if a song is 20 or 30 seconds longer? The album mix of New Years Day is only that much longer, and much better for it. Tracks like I will follow, pride, where the streets have no name and desire are the reasons I bought this one, despite having most of them on their source albums anyway. U2 have a lot of knockers, maybe deservedly, but again at least they are trying new material and not repeating themselves. Achtung Baby is one of the bravest albums ever released in terms of 'is this going to destroy our fanbase?'. Granted that was 17 years ago, and they haven't quite scaled the heights since, but while there is new material, there is always the chance of greatness.
Hype-Motion Picture soundtrack (1996)
A documentary into the rise and fall of grunge as it applied to Seattle, Hype is required viewing for anyone interested in the genre, or in the machinations of modern rock music in general. The sountrack was illuminating for me, in showing that there was much more to the scene than what made it into the to 40. It does have Nirvana and Pearl Jam and Soundgarden on it, but also bunch of other artists that illuminate the scene as it was. Favourite track for me is Throwaway by the Posies, with I say f**k by the Supersuckers fun as well. Also worth noting that since only two of the songs are over 4 minutes long, there are 22 on this CD, making it excellent value.
Interesting selection in the end. Is it representative though?
